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Bach: Wachet auf for Euphonium
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Vous avez sélectionné:
Bach: Wachet auf for Euphonium
Partitions à imprimer
6 partitions trouvées
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1
Bach: Wachet auf for Euphonium & Piano
Bach: Wachet auf for Euphonium & Piano
#
Euphonium, Piano (duo)
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Euphonium
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
(+)
Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95 ≈
23.29€
Bach: Wachet auf for Baritone Horn & Piano
Bach: Wachet auf for Baritone Horn & Piano
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Euphonium, Piano (duo)
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Baritone
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95 ≈
23.29€
Sleepers Awake (Wachet Auf) for Tuba Trio
Sleepers Awake (Wachet Auf) for Tuba Trio
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3 Tubas (trio)
#
AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Gordon Cherry
#
Sleepers Awake
#
Gordon Cherry
#
SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.792105 Composed by Johann Sebastian Bach. Arranged by Gordon Cherry. Baroque,Easter,Sacred. Score and parts. 6 pages....
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Brass Ensemble - Level 5 - SKU: A0.792105 Composed by Johann Sebastian Bach. Arranged by Gordon Cherry. Baroque,Easter,Sacred. Score and parts. 6 pages. Gordon Cherry #3451773. Published by Gordon Cherry (A0.792105). This work gives all three tubists a real workout. The 2nd part plays the moving voice in the midrange along with the third part on the bass tuba line. The first part for Euphoniums (can be played by an F tuba player with a good high register) plays the choral prelude melody on top in a beautiful legato line. This work gives all three tubists a real workout. The 2nd part plays the moving voice in the midrange along with the third part on the bass tuba line. The first part for Euphoniums (can be played by an F tuba player with a good high register) plays the choral prelude melody on top in a beautiful legato line. This work gives all three tubists a real workout. The 2nd part plays the moving voice in the midrange along with the third part on the bass tuba line. The first part for Euphoniums (can be played by an F tuba player with a good high register) plays the choral prelude melody on top in a beautiful legato line.
$12.50 ≈
11.67€
Wachet auf, ruft uns die Stimme (BWV 645) - All Parts
Wachet auf, ruft uns die Stimme (BWV 645) - All Parts
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Classique
#
Johann Sebastian Bach
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David A
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Wachet auf, ruft uns die Stimm
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David A. Riethmiller
#
SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet - Level 2 - SKU: A0.504500 Composed by Johann Sebastian Bach. Arranged by David A. Riethmiller. Baroque,C...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet - Level 2 - SKU: A0.504500 Composed by Johann Sebastian Bach. Arranged by David A. Riethmiller. Baroque,Classical,Praise & Worship,Sacred. Score and parts. 21 pages. David A. Riethmiller #116291. Published by David A. Riethmiller (A0.504500). This is the complete set of parts for a brass quintet arrangement of J.S. Bach’s chorale Wachet auf, ruft uns die Stimme. The chorale was a 3-voice prelude modeled on part of Bach's earlier cantata by the same name, first performed in November 1731. The cantata was in turn is based on the hymn Wake, Awake, for Night is Flying, written by the German Lutheran pastor, composer, and lyricist Philipp Nicolai in 1598, which is typically used during the end-of-year or Advent season. This arrangement is intended for a brass quintet of varying skill level; the Trumpet 1 part does not exceed a brief high G, but an optional Piccolo Trumpet is available. The three voices of the chorale are purposely divided among the five brass parts, to avoid fatigue in any one part. The bass part is taken by the Euphonium player, assumed to have a four-valve instrument accommodating several lower notes, but a Tuba may also be substituted, one octave below written.
$30.00 ≈
28.00€
Wachet Auf for Flexible Trio
Wachet Auf for Flexible Trio
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Classique
#
Johann Sebastian Bach
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Robert B
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Wachet Auf for Flexible Trio
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Robert Oldroyd Music
#
SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,Double Bass,Euphonium,Flute,Horn,Oboe,Tenor Saxophone,Trombone,Trumpet,Tuba,Violin - Lev...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,Double Bass,Euphonium,Flute,Horn,Oboe,Tenor Saxophone,Trombone,Trumpet,Tuba,Violin - Level 3 - SKU: A0.941799 Composed by Johann Sebastian Bach. Arranged by Robert B. Oldroyd. Baroque,Christmas,Concert,Sacred. Score and parts. 18 pages. Robert Oldroyd Music #6119155. Published by Robert Oldroyd Music (A0.941799). This practical arrangement of Bach famous organ chorale prelude features several parts for flexible trio performance. Instruments can be mixed and matched as the performers see fit. This is a great choice for Advent services or general recitals. Parts include: Full Score in C, Melody Line in C, Bb, Eb, Chorale Line in C treble clef, C bass clef, F, Bb, Eb, and the Bass Line in C, Bb and Eb.
$10.00 ≈
9.33€
Chorale from Sleepers, Wake! (BWV 140) for Brass Quartet
Chorale from Sleepers, Wake! (BWV 140) for Brass Quartet
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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G L Harvey
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Chorale from Sleepers, Wake!
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G L Harvey
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.805874 Composed by Johann Sebastian Bach. Arranged by G L Harvey. Baroque,Concert,Sacred,Standards,Wedding. Score and...
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Brass Ensemble - Level 4 - SKU: A0.805874 Composed by Johann Sebastian Bach. Arranged by G L Harvey. Baroque,Concert,Sacred,Standards,Wedding. Score and parts. 23 pages. G L Harvey #5213641. Published by G L Harvey (A0.805874). The fourth movement from the cantata Wachet auf, ruft uns die Stimme, also known as Sleepers, Wake! has been arranged for Brass Quartet. The horn part takes the tenor voice solo where appropriate, singing over the rest of the ensemble. All players have occasional rest-bites and plenty of opportunity to shine, with the general range and technical demands for a convincing performance aimed at intermediate to advanced players (ABRSM grade 5 and upwards). This popular baroque classic would be a perfect addition to concerts, recitals and wedding programmes, for both audiences and performers alike. The PDF is 23 pages in length (portrait A4) and includes a full score and parts for flexible brass quartet (2 Cornets/Trumpets, Tenor Horn/F Horn/Baritone/Trombone and Euphonium/Bass Trombone). Bb treble and bass clef parts included as appropriate. The duration of the Chorale is about 3.30 minutes.
$12.99 ≈
12.12€
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Bach: Wachet auf for Euphonium 
